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Posts Tagged ‘ Wiz Khalifa

美國上百萬網民請願修改國旗和國歌

當地時間25日,有人在美國請願網站change.org上發起了“更改美國國旗和國歌”的請願。短短兩天內,該請願便獲得一百萬多網民的支持。
現行版本的美國國旗自1960年沿用至今,旗上13個交替的紅白條紋代表了北美最初的13個殖民地,藍底上的50個白星則代表了50個州。請願發起人表示,這個國旗已經過時了,不僅沒有傳遞正能量,而且不好看。為聲援“黑人的命也是命”運動(Black Lives Matter),國旗左上角原本藍色的底色被修改成黑色;而像徵50個州的白色星星則被改為卡通人物曼尼·赫夫利(Manny Helffley),該形象來自美國喜劇作品《小屁孩日記》(Diary of a Wimpy Kid);星條旗的紅色橫條被改成黃色,因為黃色象徵喜悅、樂觀、智慧、正能量等等。

請願還提出,既然國旗都黑黃相間了,那國歌也要與之匹配,呼籲把美國國歌改成美國說唱歌手維茲·卡利法(Wiz Khalifa)的《黑與黃》(Black and Yellow) 。

儘管請願發起人稱,曼尼·赫夫利代表了團結、正義、不惹麻煩的含義,但事實上,這個虛構的人物在劇中是個自私、被寵壞的小孩,經常給哥哥惹麻煩。

推特上,一些網民對上述請願進行了聲援,但更多人表示這是場徹頭徹尾的鬧劇。 《小屁孩日記》的作者傑夫·金尼(Jeff Kinney)發推文表示,以這樣的方式改國旗聲援“黑人的命也是命”不是個好主意。

網民表示並不需要嚴肅對待這個請願

近期,美國的反種族主義浪潮一波未平一波又起,“清算潮”愈演愈烈,民眾已經不滿足於推倒一座座歷史雕像。

24日,雅虎音樂編輯林德賽·帕克(Lyndsey Parker)發文稱,美國國歌帶有“明顯的種族主義色彩”,或許“是時候換掉它了”。

美國民眾要求更改國歌由來已久。多年前,有人曾在上述情願平台發起了將國歌《星條旗》更換為《美麗的亞美利加》的請願,稱《星條旗》中很少傳唱的第三節和第四節包含了種族主義、精英主義甚至性別歧視。

請願發起人在請願說明中指出,歌詞中的僱工(hireling)指的一般是低收入的人,他們願意以相對較低的報酬從事諸如清潔街道、馬厩等工作;奴隸(slave)就更慘了,沒有任何權利可言,因為他們本身就是財產。因此這部分歌詞可解讀為:如果窮人和奴隸試圖逃跑或改變這樣的現狀,等待他們的將是“墳墓的黑暗”。

Kurt Cobain Influenced Pretty Much All Genres — Just Ask Wiz Khalifa And Fall Out Boy

Kurt Cobain’s Nirvana released just three full-length studio albums from 1989 through 1993, but their music is still inspiring audiences today.

That influence is sure to reach even greater heights when HBO airs its Cobain doc “Montage of Heck” on May 4.

So, how has Nirvana maintained its importance more than 20 years after Cobain’s passing in ’94?Wiz Khalifa might have the answer. As he put it, Cobain’s work continues to inspire because it’s simply timeless.

“I’m only 27 so when they were poppin’, I was really, really young,” Khalifa told MTV News. “But him as a writer, how he put his stuff together, it reaches so many people and so many ages. It’s just timeless.”

Fall Out Boy’s Patrick Stump agrees, but notes that he didn’t fully appreciate Cobain’s greatness until it was almost too late.

“In the era, I remember being like, ‘Eh, I don’t like Nirvana. I don’t like this. This isn’t for me,’” Stump recalled. “Toward the end, I started to realize, this is awesome. I was one of those jerk-little kids that was like, ‘Eh. Whatever’s popular, I don’t like that.’”

“I realized almost too late that that was exactly what Kurt was into,” he continued. “He was like, ‘No, I don’t want us to be this big popular band.’ They came to kill hair metal. He was like the ultimate anti-rock star.”

Over time, Stump saw himself in Cobain because of that “anti-rock star” quality.

“That related to me a lot, and kind of informed a lot,” he said. “It’s hard to relate to musicians who act like gods. You know? It’s way different when they’re real people and you know that and that kind of comes through. And then, they’re kind of amazing in their own way. He’s like the ultimate of that hyper-relatable [star].”

Rock fans weren’t the only ones who could relate to Cobain. DJ Drama also found himself in awe when he first heard Nirvana’s “Smells Like Teen Spirit.”

“[It] was like nothing I had ever heard before,” he said. “I remember it was like the coming of Nirvana was the transition from heavy metal to grunge.

“When you think about the ‘90s, Kurt Cobain is one of those symbols just as [Tupac Shakur] is,” Drama, who’s joining Wiz and Fall Out Boy in their “Boys of Zummer Tour” this June, added. “So outspoken. And just through the music, even the harmonies of Nirvana and his song patterns touched everybody. It crossed genres in so many ways.”

That influence remained strong even after Kurt Cobain’s death in 1994.

“I remember going to school in high school the day after he passed away,” Pete Wentz said. “There were kids who had Ks written on their hands. I remember where I was. Kurt and Nirvana was one of those few moments in music that we got live through where everything was different after Nirvana.”